Ramsey Campbell

Ramsay Campbell
Pseudonym(s)	Carl Dreadstone Jay Ramsay Montgomery Comfort
Birth Date	4 January, 1946
Birthplace	Liverpool, England
Nationality	British
Genre	Horror
Spouse	Jenny Chandler
Website	http://www.ramseycampbell.com/

Ramsey Campbell is a British writer considered by a number of critics to be one of the great masters of horror fiction. T. E. D. Klein has written that "Campbell reigns supreme in the field today", while S. T. Joshi has said that "future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood."

Overview

Campbell's childhood and adolescence were marked by the rift between his parents and his mother's developing schizophrenia, an experience he has discussed in detail in the introduction and afterword to the restored text of The Face That Must Die. Although both parents lived in the same house, Campbell states, "I didn't see my father face to face for nearly twenty years, and that was when he was dying."

His early work was greatly influenced by the work of H. P. Lovecraft. His first collection, The Inhabitant of the Lake and Less Welcome Tenants, is a volume of Cthulhu Mythos stories published by Arkham House in 1964. At the suggestion of August Derleth, he rewrote many of his earliest stories, which he had originally set in the state of Massachusetts locales of Arkham, Dunwich and Innsmouth, and relocated them to English settings in and around the fictional Gloucestershire city of Brichester, near the River Severn, creating his own Severn Valley milieu for Lovecraftian horrors. Brichester was deeply influenced by Campbell's native Liverpool, and much of his later work is set in the real locales of Liverpool and Merseyside. In particular, his 2006 novel Secret Stories (published in the U.S. as Secret Story) both exemplifies and satirizes Liverpudlian speech, characters, humor, and culture.

With the collection Demons by Daylight (1973), Campbell set out to be as unlike Lovecraft as possible. In 1969, he had written "Lovecraft in Retrospect", an essay for the fanzine Shadow, "condemning [Lovecraft's] work outright." However, in his 1985 book Cold Print, which collects his Lovecraftian stories, Campbell disavowed the opinions expressed in the article, stating: "I believe Lovecraft is one of the most important writers in the field" and "the first book of Lovecraft's I read made me into a writer." Demons by Daylight includes "The Franklyn Paragraphs", which uses Lovecraft's documentary narrative technique without slipping into parody of his writing style. Other tales, such as "The End of a Summer's Day" and "Concussion", show the emergence of Campbell's highly distinctive mature style, of which S. T. Joshi has written:

“	Certainly much of the power of his work derives purely from his prose style, one of the most fluid, dense and evocative in all modern literature.... His eye for the details and resonances of even the most mundane objects, and his ability to express them crisply and almost prose-poetically, give to his work at once a clarity and a dreamlike nebulousness that is difficult to describe but easy to sense.	„
	~ Joshi, S. T. , The Modern Weird Tale (2001), p. 166.

Subsequently, Campbell has published a number of other collections; many of his most popular stories can be found in the 1993 collection Alone with the Horrors.

Campbell has written many novels, both supernatural and non-supernatural. They include The Face That Must Die (issued in a badly cut version in 1979 and in a revised edition in 1983), the story of a homophobic serial killer told largely from the killer's point of view. A more sympathetic serial murderer appears in the later novel The Count of Eleven (1991), which displays Campbell's gift for word play, and which the author has said is disturbing "because it doesn't stop being funny when you think it should". Other non-supernatural novels, such as The One Safe Place (1995), use a highly charged thriller narrative to examine social problems such as the deprivation and abuse of children.

Campbell's supernatural horror novels include Incarnate (1983), in which the boundaries between dream and reality are gradually broken down; and Midnight Sun (1990), in which an alien entity apparently seeks entry to the world through the mind of a children's writer. In its fusion of horror with awe, Midnight Sun shows the influence of Algernon Blackwood and Arthur Machen as well as Lovecraft. Also notable is the novella Needing Ghosts, a nightmarish work that blends the horrific and the comic.

Campbell has also edited a number of anthologies, including New Tales of the Cthulhu Mythos (1980), New Terrors (1980) and (with Stephen Jones) the first five volumes of the annual Best New Horror series (1990-1994). His 1992 anthology Uncanny Banquet was notable for including the first ever reprint of the obscure 1914 horror novel The Hole of the Pit by Adrian Ross.

Ramsey Campbell, Probably, a collection of Campbell's book reviews, film reviews, autobiographical writings and other nonfiction, was published in 2002. The book included reminiscences and appreciations of authors such as John Brunner, Bob Shaw and K. W. Jeter, and an extensive, negative critique of Shaun Hutson's Heathen, parodying Hutson's style.

He is married to the former Jenny Chandler; has two children, Tamsin and Matthew; and still lives on Merseyside. A lifelong enthusiast of film, he reviews films and DVDs weekly for BBC Radio Merseyside and monthly for Video Watchdog magazine.

Selected Bibliography

Editor

• New Tales of the Cthulhu Mythos (1980)

Novels

• The Darkest Part of the Woods (2002)

Collections

• The Inhabitant of the Lake and Less Welcome Tenants (1964)
• Demons by Daylight (1973)
• Cold Print (1985)
• Dämonen bei Tag (1998, German-language collection)
• Der Wahnsinn aus der Gruft (2014, German-language collection)
• Die Offenbarungen des Glaaki (2014, German-language collection)
• Der Wahnsinn aus der Gruft (2014, German-language collection)
• The Doom That Came to Providence (2015, round-robin)

Short Fiction

• "The Church in High Street" (1962)
• "The Render of the Veils" (1964)
• "The Will of Stanley Brooke" (1964)
• "The Insects from Shaggai" (1964)
• "The Inhabitant of the Lake" (1964)
• "The Room in the Castle" (1964)
• "The Plain of Sound" (1964)
• "The Mine on Yuggoth" (1964)
• "The Horror from the Bridge" (1964)
• "The Stone on the Island" (1964)
• "The Return of the Witch" (1964)
• "The Stocking" (1968)
• "Cold Print" (1969)
• "The Franklyn Paragraphs" (1973)
• "Potential" (1973)
• "At First Sight" (1973)
• "Errol Undercliffe: A Tribute" (1973)
• "The Interloper" (1973)
• "The Sentinels" (1973)
• "The Guy" (1973)
• "Made in Goatswood" (1975)
• "The Enchanted Fruit" (1975)
• "The Tugging" (1976)
• "The Faces at Pine Dunes" (1980)
• "Among the pictures are these:" (1985)
• "Before the Storm" (1985)
• "Blacked Out" (1985)
• "The Tomb Herd" (1986)

Critical studies

There is an extensive critical analysis of Campbell's work in S. T. Joshi's book The Modern Weird Tale (2001). Joshi has also written a book-length study, Ramsey Campbell and Modern Horror Fiction (2001), and edited The Count of Thirty (Necronomicon Press 1994), which contains critical appreciations by various authors and a long interview with Campbell himself.

External links

• Ramsey Campbell: Short Story Bibliography--First Publications
• "Ramsey Campbell: A Demon by Daylight", Interview with Cold Print
• Interview with Liverpool's 'Nerve' magazine
• "Interview With Ramsey Campbell: Under the Light of a Giant", Circulo de Lovecraft